“Of the soloists, baritone Kenneth Overton made the strongest impression. He brought fire to ‘Why Do the Nations So Furiously Rage Together’ and weight to ‘The Trumpet Shall Sound’ ...”
Tim Smith - The Baltimore Sun, December 22, 2001
Messiah - Baltimore Handel Choir

“Kenneth Overton’s Schaunard and Herbert Perry's Colline were both distinctly characterized and ably sung... Their slapstick antics in the garret and the café functioned well as ironic foils for the tragic fate of the consumptive heroine.”
Clifton J. Noble, Jr. - The Hartford Courant, November 11, 2001
La Bohème - Connecticut Opera

“As John Peters, baritone Kenneth Overton provided a proud instrument and an outstanding ability to project text meaningfully; like Nancy Loesch, he’s good-looking and a gifted actor. Despite the odds, Overton rendered a thoroughly convincing portrait of a character ahead of his time.
William V. Madison - Opera News online, 2001
The Gilded Cage - Nexus Arts NYC

“Baritone Kenneth Overton almost stole the show with his magnificent singing and engaging stage presence.”
Tony Angarano - The Hartford Courant, November 1999
Die Zauberflöte - Connecticut Opera